Pavano On The Mend, But On The Mound?

"I can't worry about guys who are not here, it's not a letdown if you're not counting on it. It's not hard to believe. That's what's been happening all the time." (Derek Jeter quoted in an August 29, 2006 ESPN.com article)
In spite of Carl Pavano's nagging injuries, and his late reporting of an August 15, 2006 car accident in which he broke two ribs, the Yankees should give Carl Pavano another chance in 2007 and not trade him. No one has stated so far that this is a possibility, but due to the apparent distaste for Pavano in the clubhouse (Jeter's statement above may be indicative of the general attitude toward him), this very well may be a possibility. If there are concerns about his character, considering the late reporting of his accident, let them fall by the wayside because the Yankees sorely need him even if his arm might be sore. So, if in 2007, Carl decides he can't pitch for some reason or another, the Yankees can send him to counseling along with A-Rod.

Let Wilson, Phillips Do The Walking

The Yankees have a glut of first basemen, with Jason Giambi, Craig Wilson, and Andy Phillips sharing duties at that position. Giambi, the falling star who, while suffering lingering illnesses, ailments, and injuries, has lately been specializing in getting hit by pitches and drawing walks. Sure, he'll hit an occasional, dramatic home run which keeps opposing pitchers intimidated. Yet, it's galling to see him continue to pull the ball and hit into the defensive over shift which nearly every team employs against him. And if he does, he either flies out or grounds out. If Jason would hit the ball to the opposite field, he'd probably lift his batting average another thirty points, and thus, help the team. But, he stubbornly refuses to adapt. The Yankees are stuck with him, and would like to use him as the full time DH. But who would play first base full time?
Certainly not Craig Wilson, who batted .212 in forty games as a Yankee. He may be a defensive upgrade over Giambi, but if the Yankees are to replace Giambi, they need someone who can duplicate his past productivity as well. Wilson filed for free agency on Saturday, and the Yankees should thank him for his services and not re-sign him.
That leaves Andy Phillips, who has had trouble swinging the bat this 2006 season, hitting just .240 in 246 at-bats. At twenty nine years old, he's not exactly a kid anymore and any argument for keeping him because he's young is slipping away fast. The Yankees should trade him in return for anybody who can pitch. Phillips deserves a chance to be a full time position player on a team where he can find his swing and develop a career.
One intriguing possibility to replace Giambi at first base is Nomar Garciaparra who filed for free agency on Saturday also, assuming the Dodgers don't re-sign him. Garciaparra batted an impressive .303 in 2006, with 20 home runs and 93 RBIs. With Garciaparra in pinstipes, the Yankees would be able to use Giambi as their full time DH, and put Nomar at first. As a fan, I'd love to see the former beloved Red Sox shortstop playing in a Yankee uniform along with Johnny Damon, one of the "idiots" who led the Red Sox to their first World Series Championship since 1918.
Imagine an infield consisting of Alex Rodriguez, Derek Jeter, Robinson Cano, and Nomar Garciaparra? What would such a move cost, except money which the Yankees have mountains of? No one has, to the best of my knowledge suggested such a move for the Yankees. However, if they did sign him, he'd bring talented defense, a good team attitude, a big bat, and it would be a snub to the Red Sox and their fans. Also, I'd never miss a game.

"Sheff" Cooks Up "Just Dessert"

This baseball fan appreciates a player who can tolerate injury, strike fear into a pitcher, hit home runs consistently, and change positions to help his team. Gary Sheffield has played through pain, got hits off big name pitchers, switched from right field to first base for the Yankees after coming off the disabled list, and has 455 career home runs. With that said, he needs to be traded, and fast. Jim Baumbach of Newsday reports that the Yankees are planning to just that, trade him.
In baseball, there are many "unwritten" rules. You don't make the third out at third base, you don't swing on a "3 and 0" count, you don't steal bases when you're five runs ahead, and you don't criticize Joe Torre when he's your manager. Following the Yankees early ejection from the playoffs after their loss to the Detroit Tigers, Gary Sheffield was quoted in an article by Bob Nightengale, USA TODAY as saying "We were worrying about all of that stuff, and we still had a game to play. If I'm on the other side, and all of a sudden they're putting Rodriguez eighth and putting me or Jason on the bench, you wonder what's going on. Those guys [the Tigers] were asking me about it. I think it boosted their morale. It gave them confidence they didn't have."
One can either agree or disagree with that statement. But what should be universally accepted is that no matter where Joe Torre batted Alex Rodriguez, Gary Sheffield, or anyone else for that matter, after game one, the Yankee's bats fell silent. That's what the Tigers sensed. They knew that their pitching was better than the Yankee's pitching; and everyone, including baseball players, know that in the post season, pitching matters more than hitting. You don't blame a Hall of Fame bound manager for the shortcomings of the entire team.
What makes Sheffield's comments distasteful is his timing. Immediately after the Yankees elimination from post season play, it was reported by Bill Madden of the New York Daily News that Torre's job was on the line. Reporter's everywhere smelled blood in the water while George Steinbrenner mulled his longest tenured manager's fate. So what did Sheffield do? He threw Joe Torre to the sharks. His statement reeks of poor sportsmanship.
As reported by Baumbach, the Yankees are going to pick up Sheffield’s $13 million option in order to trade him. Sheffield finds himself in this untenable situation due to his ineptitude while acting as his own manager. Having failed to have a no trade clause included into his contract during his negotiations with "The Boss", Sheffield now has no say in where he winds up. It seems that the "Sheff" cooked up his own "just dessert". Which team he ends up on is up to Brian Cashman. When he gets there, he can waggle his tongue all he wants, much the same way he waggles his bat.

If You Write It ,They Will Read

Baseball is so enjoyable that even the off season provides entertainment. Baseball fans across America and the world are already rubbing their hands together, anxiously waiting for the "Hot Stove" to heat up even before the World Series is over.
Such is the passion of a baseball fan, and such is the goldmine that baseball offers the fiction writer.
Baseball offers intense drama within each game. There's the pitcher's duel, the running game, small ball, and the long ball, each aspect of the game is based on the skill of the players involved. The speedy runner is called upon to steal the base, the heavy hitter drives the ball, the "not so great" hitter will be told to bunt, and the pitcher is needed to keep the bats of the opposing team quiet. This drama can be incorporated into your fiction. Your character can watch the game with either excitement or fear, depending on who is winning. Or, your character can be the pitcher who is throwing a perfect game into the ninth...while nursing a potentially career ending injury. Or maybe, the guy meets the girl while seated next to each other in the stands and they fall in love. Yes, there's plenty of drama to be created both on and off the field.
So much of American life revolves around baseball that it remains within easy reach of even those who don't consider themselves fans. Who among us never passed by a park and watched as kids in colorful, little league shirts scrambled for the ball as a young batter ran awkwardly around the base pads with a helmet blocking his vision? Also, who hasn't smelled hot dogs at the stadium and absolutely had to have one? Many summer memories include splashing all day at the beach with someone's A.M. radio broadcasting a game in the background. For the non-fan of baseball, there are many cultural aspects to the game which aren't easily avoided. Any mention of a "ground ball", "home run", or even "grand slam" has meaning for even the completely uninitiated. Because baseball is so ingrained into our memories and our lives, using the game or aspects of it, in your fiction is universally appealing.
When writing fiction involving baseball, there's so much to build on that in spite of the many baseball stories already out there, the writer can still swing away with an original idea and maybe tug a few heart strings in the process. Your characters don't have to be players, but fans of the game. They can be a child on a little league team, a player's wife, a never was, a has-been, or someone who's last wish is to meet a baseball legend. The material this game provides the author is rich enough to extend outside the stadium and into the lives of even those character's vaguely connected to the game.
In my own stories, although I've yet to write about a player, or give an account of a game, I'll often allow my characters to be fans of a particular team, attend a game, or anticipate going to one. This offers the reader familiarity which transcends the plot of the story. Mostly, it's because I love baseball.
In a week or two, I'll begin plotting another novel. Once again, it will have nothing to do with baseball. Yet, in the frigid months of winter, with the hot stove roaring in the background, one of my characters is going to put on a baseball cap before getting shot at.

I’ll Ask The Mailman Instead

You know what I’ve learned over the twenty or so years I’ve been writing? I’ve learned that writers make terrible critics. By terrible, I mean…they can be mean. Every time I give a short story, novel length manuscript, column or other piece I’ve written to a writer to read, out come the gratuitously negative criticisms.
It doesn’t matter if the piece is completed, or that I don’t want a review, or that the work may already be published, the writer feels it is his or her duty to note a few complaints.
This is why I never joined a writer’s group. I feel that many writers’ complaints about other writers (unless the author is a newbie who can’t spell, plot a story, etc) are petty, imagined, and center mostly on thematic elements or style. It is also my opinion that many writers feel a tinge of jealousy while reading other writers’ work and then unleash criticism to balance against their own imagined “talent inequity”. I’ve felt the urge to do that myself, but I’ve bitten my tongue.
Criticism, when asked for, can be painful, honest and necessary. When a writer evaluates another’s works without consent, it can be downright rude. To all of the freelance critics out there who are guilty of unsolicited analysis, take the advice of a wise person I know who often applies this phrase: “Take your own inventory.” Critique that.

You Don't Need No Stinkin' Agent

I just finished writing yet another "soon to remain unpublished for good" novel. Once again, my manuscript will be submitted simultaneously to both agents and publishers in the hopes of getting the story published and making me a wealthy man. I couldn't care less what any agent or publisher says about simultaneous submissions. Essentially, they want to read your work exclusively, while they take their time getting back to you while wasting your incredibly valuable time. That brings me to the thrust of this article. An agent needs you, and not the other way around. You go ahead and do whatever you have to do to get published. Don't cater to any whiny agent's demands.
In the past, two agents represented works I've completed. One never bothered to honor the entire term of our contract leaving me little or no recourse to get them to fulfill our agreement, and the other agent apparently made a living exclusively by charging authors excessive fees for photocopying and postage. Now, needless to say I am in the hunt for a new agent.
Agents are business people who actually believe that their clients need them and not the other way around. I've read rude comments on the websites of certain author representatives who write complex rules on submissions up to and including how to place the manuscript in the envelope. The vast majority of them will banish your manuscript to the trash bin if you ever dare to call them (for fear that their children will answer the phone and you'll discover that they are working out of their basement) and most will simply write "not interested" on the front of the manuscript which you paid to have photocopied instead of wasting one of their own precious pieces of paper to write a professional letter of rejection.
Because agents can be picky, rude, unscrupulous, unprofessional, and dismissive, I believe that if an agent seems to have bad traits even before I contact them, then I will avoid them all together. If they become annoying at any point during the contact, read, send more, and the "maybe I'll represent you" phase, then I'll look somewhere else.
The decision comes easy to me because I already have a job, a very good one, and I'm willing to bet that I make a whole lot more money that some of these "agents" who need to realize that without writer's they wouldn’t have careers. And if any agent is reading this, I'm only kidding (not).

I've Got Your Theme Right Here

A buddy of mine read my new blog with considerable disinterest. Hey, I'm not John Steinbeck, Edward R. Murrow, or any other famous journalist or novelist. However, I do like to write about things I see in the news or compose works of fiction. Having a blog makes it easy for me to post my views to the zero number of people interested in reading what I have to say. My buddy, who is well intentioned thinks I need a theme...and he's right.
You must understand that I am struggling here. I'm not that creative. To make myself stand out among the millions of blogs out there would mean I would have to do something so completely original and extraordinary that I would practically be inventing a whole new form. Who has that kind of time and energy?
Well, after considerable time away from this entry, I've decided to conclude like this: my theme is writing. Yes, this will be yet another writer's blog. But, I won't write simply about the craft of writing, I will treat this like a newspaper column. One of my favorite columnists, Ellis Henican (http://henican.com/) has been inspirational for me. He can be funny (I'm working on that), informative (that too), and he's a pretty smart guy (don't ask). His topics range from the political, topical, and personal. I can do that. Don't expect to be spellbound, I'll just try to be pretty good. Later, I'll be amazing. But hey, I've got a theme now, right?

When Tragedy Misses

Driving to work at my new job is a lot easier than when I used to commute fifty miles each way to the city. I don't have to pay tolls, cross bridges, and worry about traffic. No, my new drive is a breezy twenty minute jaunt which includes a stop at my local 7-11 for coffee and a newspaper. But it turns out the danger for getting killed remains the same.
Yesterday I turned my car onto the main highway to begin the first leg of my relatively short journey. I had the radio on, my brain was warming up, and I took notice of the clear sky and warm weather. The traffic light up ahead turned yellow and I slowed my car and stopped when the light turned red. Only, the guy in the pickup truck behind me had a different plan. He didn't brake at all until he was dangerously close to me. His pickup skidded, making a frightening skreetching sound, and he had to cut the wheel and continue jamming on the brakes along the shoulder of the road and into the intersection where he almost collided with another car.
In that brief moment when I stopped, looked in my rearview mirror and watched helplessly as a giant pickup truck nearly knocked my baby Honda across town like a golf ball, it dawned on me just how disposable I was. If he did indeed hit me, I'd have been roasted in a fiery conflagration. Pieces of my charred remains would have rained all over the inersection, and all before I had my coffee.
Needless to say, I was shaken up. The pickup driver pulled his truck over and probably checkd his underwear, and I rolled past him like nothing happened.
My morning ride seemed to take longer. Every turn of the wheel was a risky maneuver, the speed limit became a dare, and why the hell did everyone have to drive so damn fast? The rest of the day went fine and I forgot about my near accident with the inattentive pickup driver. That is until I got home and saw my kids. Like any other day I traipsed in through the front door like Robert Young and my wonderful children clamored around me anxious to tell me about school. I paused, took a deep breath, and stiffened at the sound of squealing tires echoing in my ears.

Mr. Grudge's Self Portrait