Surprise! People Seen Reading in a Bookstore

 A few weeks ago I bought a new wallet. As per standard operating procedure, I waited a while before I went through the task of switching everything from my old wallet to the new one. It’s always a surprise as to what I will find buried inside that I had completely forgotten I had. In this case I discovered a Barnes and Noble gift card. I can’t remember where I got it from or who gave it to me. Anyway, I went to the bookstore and was surprised to see that not only was the store packed, people were buying books. Yes. The lost art of reading seems to be making a comeback— a least from my perspective. It was refreshing to see folks in the comfy chairs with an open book in their hands. I bought a copy of Bhagavad Gita and felt happier because the internet, cell phones, iPads, and online apps have a tenacious, enduring competitor — books.

*Originally posted on my Facebook page 1/15/2022

Writing Home: Using One's Home Town for Setting

Creating fiction requires many essentials. One needs characters, a plot, setting, time period, and other factors which narrow the concept down to a point where the author may begin to write. Setting is key; and, as it often is with literature, characters are based on the writer’s persona, and very often, the characters live in where the writer does. How many authors can you name whose works place their protagonist in the very town where they grew up or where they currently live? I’ll give you one: Nelson DeMille has written books set on Long Island where he currently resides, and in New York City where he was born. This is a practice which I have only recently embraced.

My first novel, “The Tin Age,” is set in suburbia, and the main character, Martin Spratt, is a county police officer. I imagined the county based on the one where I reside and added many of the qualities which made this setting attractive to me: Hamlets full of quiet, tree lined streets, wooded areas on the outskirts of towns, and a government structure which allows for a full service, county-wide police department were the factors I needed to make the story work. In retrospect, instead of concocting a name, I should have simply utilized the actual region where I live as it would have been familiar to any potential local audience.

That is an attractive aspect to applying this technique as the residents of the municipality depicted in your story would be more likely to read your work and create buzz for you and your novel. This is a factor not lost on literary agents and publishers; in addition, this type of ingredient in a story works when employed the moment the task of writing the manuscript is begun. In my case with my fictional county, it would take a little effort to change village and street names to match existing locations; but, none of these roads and communities is described accurately in this story and a major re-write would then be in order to achieve authenticity. It is best to plot your location as well as your storyline at the outset as the two are intertwined.

With fiction, writing about genuine locations is useful if one wishes to add color, depth, and breadth to the story. Each locale has a unique and rich history. Customs are inbuilt, and reasonable expectations can be placed on climate, local customs, geography, and the speech of its inhabitants. Using one’s own native state, town, or actual place of birth allows a writer to draw upon their own individual experiences and include them in the narrative, albeit an imagined one.

For example, a writer may draft a scene where two brothers are walking to school. In an imaginary town, more elements may have to be explained to the audience by the author because the reader may not have a clue as the where these school boys are. The reader sees a blank, nondescript boulevard the boys are traveling on, and illustrative gaps need to be filled in by an author with different ideas than his or her audience. Experiences of the reading audience dictate how they perceive your imagined community. The more closely the reader connects with your characters' surroundings, then the more the reader gets from reading your book. If you write about a genuine place, then existing structures and sites can enrich your writing.

You can save yourself some time and set the story in San Francisco, for example, and mostly everyone knows that the roads there are all hilly, and the reader envisions streetcars as well. Write about real cities and towns and you draw the reader in. Use the environs of a region where you reside, and you’re an authority. The knowledge you have of the locale and the facts you provide enhance what you put down on paper.

With my latest novel, “The Daddy Rock,” I used my native Long Island as the backdrop. This allowed me to celebrate the beauty and diversity of the landscape as my protagonist, Roger Price, migrated from the low lying, seaside marinas along south shore to the rocky and elevated north shore. My childhood was spent growing up in a small hamlet by the Great South Bay. My south shore sensibilities are apparent in Roger as he is transplanted to the more affluent north shore hugging the Long Island Sound where I’ve settled and decided to raise my family. Familiarity with my place of birth allows me to effectively guide my characters and blend them seamlessly into a world with a readily available supply of buildings, landmarks, customs, and people where they can interact and play out the drama. Also, it is always easier to write about a place you are passionate about. Frequent readers of this blog are aware of my deep affection for my home, Long Island. That made writing my latest novel more natural.

In summary, when writing fiction, a valuable shortcut to creating a story’s setting may be to place your characters in the very town where you live in order to draw upon your own knowledge of the area, take advantage of a local audience, and to rely on local history, customs, geography, and landmarks to help you tell your tale. On a side note, I am writing a novel about a young man who joins the Russian Army and I may have to relocate to Moscow for a few years. Do they have the internet in Russia?





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A Re-Statement of Purpose

What I wish to do here is find that voice in my head which told me stories when I was bored. I need to share, and to find acceptance, and gain stature with my words. That is the goal for numerous with blogs out there. Many are much more inventive than I can ever hope to be. Today, I wonder where I have landed. I feel as though I’ve reached a milestone; but the paradox for me is exactly where on the map does this place me as I did not know where I would go when I created this blog?

I can suppose that I may have touched a few folks with my writing. My responses from readers have been overwhelmingly positive. This makes me wonder when my dreadful post is coming. There is no way I am that good, I ponder. This notion gnaws at me, controls my lively fingers as they tap away at my keyboard while I fashion another essay or story for posting in this space. I’ll simply do what I am able to, the best I can muster, and hope that I am hearing the correct outcome; that I never determine that I have reached any sort of summit. My objective is and always was to publish my novels, and perhaps I’ve drifted off the trail which can lead me in that direction. The blogging world proffers a brilliant audience, benevolent, and kind, in their feedback. May I never betray you and always be gracious for your attention.

What I need to do is refocus my energy on my larger writing projects. I’ve strayed from this intention and have been relying too heavily on telling personal anecdotes and mining the depths of my sorrow over the deaths of friends and loved ones. I need explore my writing methods and only occasionally invite my readers into my private thoughts with a tale from my past. These stories and other odd posts serve as practice for me, and I need to remember that. I’ve put the cart before horse and it is necessary to back up and reassess my stated purpose; yet, always, yes always, bear in mind that my readers are important to my improvement, and that they deserve the best I have to offer. This is a delicate balance, but one which I need to challenge myself to achieve. My project is clearer now: remain loyal to my idea, explore my craft’s boundaries, be diligent in its practice, and realize that I can always do better. I owe this to myself, and to my wonderful, discerning, and charitable readers. Thank you.





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An Old Short Story: Baby Boyfriend

Dear Readers,
I’m taking a huge risk here. Digging through my old notebooks, I found a story I wrote all the way back in 1987. The few people who read it thought it was okay. Now, all these years later I’m publishing it on my blog where I’d have more success getting others to read it if I spray painted it on the side of a building. Anyway, the story is called “Baby Boyfriend,” and it was inspired by a relationship I had with a girl I dated when I was a young, nerdy, college kid who was a sucker for any woman wearing a tube top. By the way, because one reader who commented asked me this, Richard, the protagaonist, is not an actual baby. I was referring to his demeanor. It’s both nostalgic and frightening to unearth articles and stories which I wrote in my youth. On the one hand, I rediscover something which I may, or may not be still proud of. On the other, I kind of hope I matured as a writer. I never used so many exclamation points before, or since writing this one. Hope you like it.


Baby Boyfriend


Well Doctor, do you want to hear my story? It’s kind of long and boring, but I don’t suppose you’ll mind being as that I’m paying you to listen and all.

Gina brushed her hair in long, even strokes as she spoke aloud. Those big, quizzical, brown eyes of hers wandered aimlessly around her messy, little bedroom. Finally, they settled upon me. I was sitting on the edge of her bed counting the number of times I could kick one of her slippers back and forth between my feet without breaking my rhythm.

“Don’t you think so, Richard?”
“Huh?” I answered, startled.

She was actually asking my opinion on something and I wasn’t paying attention.

“Well Gina, I don’t know, really.” I said. That was my standard response in those situations. She could get very annoyed at my daydreaming; and, that left me wide open for plenty of her whining and complaining about me not caring about her pathetic, miserable life. I decided it was best to look at her as she continued to ramble on about whatever the hell she was prattling on about.

This was typical of our relationship. She’d invite me over to her apartment with the suggestion that anything could happen; and me, the “Strike-out King” would arrive at her front door before she had a chance to hang up the phone for another libido-killing, monk-making evening centered on Gina’s monologues. No detail was too small or insignificant to be left out. Soon, I was on intimate terms with all of the players in Gina’s wild world of semi-evolved relatives, circus-geek girlfriends, and a long list of ex-boyfriends who are targets in the federal war on crime.

“I was talking to Billy before you came over.” She continued. “He’s leaving Little Billy with his ex-girlfriend’s fiancé to come over here because I owe him five dollars. I told him that I’m not giving it to him unless he gives me Little Billy back.”

“Oh really?” I chirped. I became more alert. Billy is her on again, off again common law husband, who also just happens to be her step-brother from her mother’s former marriage to his ex-foster father. No one is actually sure who Little Billy, their son, belongs to biologically. But, Gina’s mother, who is equipped with the only active brain cell in the entire brood, swears that it is impossible for Gina and Billy to go off to one of their week long, hippie, drug, love-ins and return as the proud parents of a three year old boy. But, since they honestly believe the kid is theirs, or, they wrongly think they brought him there in the first place, and since nobody is claiming the boy, they now have a son. You figure it out.

“He’s coming here?” I asked in horror.
“Sure.” she said. “And, I need you to stick up for me.”

My God, it was serious. I had every reason to fear this bruiser. The last time I saw Billy, he said the next time he saw me, he was going to turn me into one of those springy, horsey rides you see kids bouncing on in the park.

“He’s coming here?” I asked a bit more frantically.
“What? Don’t tell me you’re afraid of him?” she snapped.
“Afraid of Billy? No, no. I can get along with him, I guess.” I was stammering. “Hey, look at the time. I told my neighbor I’d help him plunge his toilet.”

“Listen…” she cried. “Don’t be such a wimp. You can take him. You’re both the same size.”

I said nothing as I sat there and hugged myself while rocking back and forth.

“Hey,” Gina said as she leaned over to me and lowered her voice. “Do you want a knife?”

“Knife?” I yelped. “No knife, no knife.”

Just then, there was a knock at the door. Actually, there was a lot of banging at the door. I sprang to my feet and Gina ran down the hallway to answer it.

My worst fears were realized. It was Billy. I could do nothing but stand in silent terror as the two of them screamed at each other at the tops of their lungs. Then, he smacked her, real good too. She hit him back and he just roared in loud, mocking laughter.

“Help me!” she cried, “Help me!” I was her cavalry; her own little General Custer.

Billy stopped laughing and shot me a cold stare.

“What are you going to do, wimp?” he said.

“Oh God, he sees me.” I said with a gulp.
“What did you say, punk? You some sort of tough guy, supposed to beat me up?”

“Get him!” Gina yelled. “Get him now!”

“Shut up!” Billy roared, and he smacked her again. Gina ran from the apartment with her bathrobe open and nothing on underneath. Billy started toads me, slowly at first. He kept flexing his muscles saying: “Come on punk, show me what you got.”

And then, he charged at me, full speed ahead. I had no other choice but to jump out the bedroom window from three stories up. Lucky for me a guy delivering balloons for a birthday party broke my fall.

So Doctor, here I am. By he way, Billy and I are on good terms now. He couldn't stop laughing at the way I hit the ground with the balloons popping and all. So, now we’re pals because this caveman thinks I’m hysterically funny and I’m only being kept alive to entertain this goon.

Also, Gina and Billy are back together. They’re suing the landlord for not having protective bars over the windows of the apartment. They’re cutting me for a third of the settlement s long as I agree to watch Little Billy while they go to another one of their week long, hippie, drug, love-ins.

Do you want to sign my cast?


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