"I'm Not From Lawn-Guy-Land"

There's a list going around the internet which has been compiled by, added to, and passed around by Long Islanders. This list is called (you guessed it) "You Know You're From Long Island When..." One of my favorite items on that list is "You never realize you have an accent until you leave." This has happened to me, numerous times.

Yes, we do speak funny, and it is typically arrogant of us New Yawkers to think we speak like Harvard law professors. In Florida a few years ago, I took my family to Disney World. At Typhoon Lagoon, I was sitting poolside when my then three year old son began to play with the sand. Actually, he was tossing handfulls of it into the air. I told him to knock it off, and the burly man behind me said something that sounded like "Arf nargle eeg offay ay nad." Huh?

Not wanting to be rude, I smiled in much the same way one does when we don't want to aggitate the man holding the bloody meat cleaver. I ordered my son once more to quit throwing sand in the air or I'd bury him in it (or words to that effect).

The big hairy guy with the marbles in his mouth walked over. He was with his family, a wife, two little ones (boy and girl) who were playing peacefully in the sand with buckets and shovels.

"It's alright, mate. he's just being a lad. It's just sand, ya know." he said. Oh, he's from England, I thought. Whew, I though I had to whisk my family away and call the Mouse Police.
"Yeah, thanks," I said "I still don't want him to get sand all over." I offered. Really, It was none of his business what I said to my son, but it was obvious that this guy wanted to talk. So, we did.

His wife sidled over to him and smiled as he introduced "Aubremary", or whatever the hell he said her name is, to me. I searched the pool frantically for my wife and daughter so I would have an excuse to grab my kid by the waistband of his shorts and say "Gotta go, wifey's calling..." and hurry off into the artificial surf with my boy flailing helplessy in my grip. But no, my wife only comes around when I'm relaxing and she has something for me to do.

They talked and gushed about how friendly and lovely Americans are, and that everywhere they went, people are just so friendly and want to talk and talk and talk. Ouch. I continued to grin like an idiot as I realized that they didn't visit New York, or more specifically, Long Island, where I was born, raised, and continue to be miserable.

Friendly people? There's a deli I go to every morning for coffee and a newspaper before I go to work. I've been a regular customer there for about fifteen years and I don't think I've exchanged more then three words with anyone behind the counter, and I'm okay with that. I show you what I want, you get it for me, take my money, and then I leave. End of transaction. I've noticed that outside of the New York, New Jersey, Connecticut region, people change. There's something pathological about all of these nice folks who want to know how you're doing, and tell you to have a nice day. In a way, I was glad that this happy English family landed in "nice country." If they came to Long Island, I'd be appalled.

Anyway, I did my best to look interested and tried hard to decipher their language. They had accents, heavy ones. These were hard working commoners from Manchester who saved up all of their pounds and pence to visit Disney World where families toss around fifty dollar bills with reckless abandon and wind up with nothing to show for it. That morning, they found themsleves in Typhoon Lagoon, talking to me.

At one point, after they told me everything about themsleves, their family, the dream vacation they were on, and how happy they were to be in the United States, they asked about me. They wanted to know if this was our first trip to Disney.
"Well, no. My wife and I came here a long time ago after we were first married. We didn't have kids then."
"Did you fly down, mate?"

"Uh, no. We drove. I have a thing against flying." I don't really, we just thought we'd save money. We're never doing that again.

"How long did it take you to drive down?" Did he say "drive down"? I thought, how would he know where I came from?

"Well, I live on Long Island..." I started to say.

"Long Island?" The wife said. She smiled and looked over at her husband as if she'd won a bet. He had a knowing grin on his face too. "Oh yes, Long Island." he said. "We can tell."
It didn't matter what he told me after that. I felt duped, like they were leading me on in an effort to fulfill their own curiosity.

"That bloke is from New York, don't you think Aubremary?"
"Oh no, Simon, he sounds like he must be from Long Island. Let's talk to him and find out."

There you have it. Even folks who hail from jolly old England have us Long Islanders pegged. Oh, and another thing. We don't say Lawn-Guy-Land. Only people who are trying to make fun of Long Islanders say Lawn-Guy-Land. Thanks for reading. I have to go now and drive my caw to the mawl and get some cawfee. Afta dat, I have ta take da famlee to that restront faw dinnuh.



Long Island England Disney World New York language accents Florida deli Typhoon Lagoon

Tagged By A Friend: A Desktop Meme

newspaper
My Friend Lisa McGlaun who publishes the inspirational Lifeprints blog tagged me with a meme; and, needless to say that I am flattered. I am relatively new to blogging in this format, and having such talented and generous folks such as Lisa as a supporter is uplifting.

This meme is called "What is the personality of your computer?" I'm supposed to take a snapshot of my computer desktop, and attempt to explain what it means about me. For the purposes of this exercise, I chose my laptop because my work computer has information on it I wouldn't want to disclose to the public, and because my laptop is the only computer in my home which my wife and children haven't completely hijacked.

Note the Joe Girardi baseball card as my desktop wallpaper. Yankees fans will know that just this week, one of the greatest Yankees managers of all time, Joe Torre, delined the Yankees offer of a one year contract and could be managing the Dodgers next year. Joe Girardi, one of my favorite Yankees, although his career in pinstripes lasted only three years, has taken over as the new Yankees' skipper. Baseball is a huge part of my life, and this blog began as a baseball blog (though I failed miserably at it). Much of what I read, listen to, watch, and discuss with my friends revolves around baseball. Lately, I've taken to football, just to give my pals a break. But, don't expect to see any Eli Manning wallpaper any time soon.

Many of the files and folders on the desktop contain my writing and images for this blog. I have two, full length novel manuscripts residing on this hard drive (backed up elsewhere) and hundreds of family photos. The desktop itself may appear boring, but inside every megabyte of that hard disk is a scene from one of my character’s lives. At the point when this snapshot was taken, there may have been one of my protagonists getting shot, or losing a family member, or just plain being happy. There's an unseen world happening behind that baseball card on the screen. I liken it to an apartment building hiding in plain sight in the skyline of a city. There are families within, each with their daily dramas occurring just out of view of the hundreds of thousands of commuters whose eyes can't see past their windshields to notice them. Yet, there they are, my notes, manuscripts, and outlines, like news stories within the folds of a newspaper, on my desktop waiting impatiently for you, my blog visitors, to read them.

This has been a fun experience for me, this meme; and, I want to once again thank Lisa at Lifeprints for giving me the opportunity to tell a little about myself. It has been an honor to receive comments from such friendly voices, the good folks who take the time to read my posts, that I am determined to keep writing to the best of my ability.

To keep spreading the fun, I'd like to tag some new blogging friends I've made over the past few months to continue this meme. Please feel free to opt out of this, as it is only good fun, and there is no pressure to to do this. Also, let me know if you've already participated in this meme. There's a writer who visits here often and I'd like to extend an invitation to Kristyn over at Kristyn Writes, who is a terrific writer to keep this meme going. Also, I'd like to ask Elaine over at Elaine's Place to help out, and finally, I'd like to Invite Eng Foo Tiam at Beautiful World to participate as well.

Thank you, everyone, for being a loyal readers of Mr. Grudge.

Write Whatever You %$#@*%$! Want

My former career as a police officer seemed like an alluring one to many. All the way back to the old 1951 TV series "Dragnet" with Jack Webb, and later on with 1968 to "Adam-12" with Martin Milner and Kent McCord, these shows planted an image of police officers as curt professionals in the minds of the public. Their language was official, and they were all business. Jack Webb's character, Sgt. Joe Friday, made "Just the facts, Ma'am" part of the American lexicon. The awful truth however, is that cops have filthy mouths. Also, the criminals that police interact with tend to spew obscenities as a second language. Together, police and "suspects" become a cursing, swearing, and profane, mega-force whose power doesn’t always switch off in polite company. I’ve been to many an occasion where I had to suddenly remember "where I was" and not drop the "F-Bomb" at my wife's, Grandmother's 83rd birthday party.

Since I left the police department in 1999, I switched careers and now work in the information technology field. Still, I am a writer as much as I was a cop or a computer geek. Much of my writing revolves around the world of crime, patrol officers, and the occasional shootout. But, to balance my credibility with the reader and the dialogue between my characters, I am very selective with my use of profanity. It is said that a good novel is not what you put into it, but what you take out of it. So, in order to allow my characters to converse with each other without my story reading like a wall in a public restroom, I save the vulgarities for moments where it would have the most impact.

For example, in my most recent story, my protagonist is a retired cop who lost his wife and daughter to a drunk driver. His best friend is a retired detective whose lover died of cancer. They bond because of their loneliness, but have to defend themselves from the organized crime figures who wish to take revenge against the detective for arresting them decades earlier and landing them in prison. My original draft had the two of them cursing, swearing, and expressing themselves with incredible vulgarity to the point where it became tedious, boring, and ultimately ineffective. In the end, I deleted all of the four letter words and discovered that in some scenes they really weren’t saying much of anything each other, let alone the reader, and that much of the dialogue was worthless. After scrapping much of the unnecessary bad language, I began to write more dramatic discourse without the F-word and the like, and I told the story with a fresh voice.

Towards the climax of the story, where my protagonist is confronted by the murderer of his wife and daughter, I finally allowed my character to unleash his rage, and he did it with every available tool on his belt, including the four-letter variety. The words became more vile, hurtful, and effective because the reader hadn’t seen them for most of the book and they come on as a bit of a surprise. At least that’s the feedback I’ve received from those who have read the manuscript already. So, I’m glad I held back, trusted my instincts, and washed my characters' mouths out with soap.

Am I saying that a writer shouldn’t allow his or her characters to curse? Of course not. As always, these articles reflect my method of writing. If anyone finds any of this useful, I am happy to have helped. If you think that I am being too careful and that you can have your characters curse early and often in your stories, then go ahead. Do whatever the fuck you want.

curse swear profanity Adam-12 Dragnet police cops suspects writer police department information technology shootout novel dilogue characters protagonist organized crime

A Halo Among The Branches

There was a story I heard when I was a young boy about the statue of the Virgin Mary in the courtyard of our church. Our Lady of the Assumption Roman Catholic Church had a long, concrete pathway leading up to a raised, brick and mortar platform where one could walk up and kneel before the statue of the Blessed Mother. Her arms were outstretched towards those her beseeched her in prayer.

I remember her image distinctly, as well as the story which became a soft-spoken legend among the parishioners of the parish. Behind the raised area which the figure sat upon is a row of large pine trees. There was no fence there at the time, and their limbs were allowed to grow much closer to the sculpture than the the fence now permits. So it was said by the faithful, when kneeling before the sculpture of The Virgin Mary, if they looked up, the boughs of the trees would form a halo around her head.

There is another local fable which pertained to the same statue. It had to do with a crown on Mary's head, again caused by the trees behind her. This time, it was said that when the figure was first erected (I believe it was in the 1930's and when I am not too lazy, I'll look it up) a young boy looked over his shoulder while walking away from the altar with his family one Sunday morning and said "Look Mommy, look Daddy! Mary has a crown! From a child's vantage point, looking up the walkway, one could envision the tops of the pine trees forming the points of a crown above her head, floating ever so high above towards the heavens.

Why am I writing about this? In recent years, the weather-worn statue of the Virgin Mary has been replaced with a statue of Jesus Christ. The trees have been pruned back, and there is a wrought iron fence between the pines, the altar, and the new statue keeping the sturdy tree limbs at bay. The myths of the crown and the halo offered me comfort during some difficult years of my childhood. Many a Sunday, I'd peek over my shoulder at the Blessed Mother as I walked with my family towards our station wagon in the parking lot, and squint in the sunlight at the crown on her head as I was too far away to kneel before her and marvel at her aura. Now, this story has all but disappeared from neighborhood folklore.

I'm two generations removed from the current congregation. The parish in the town where I currently live is only a few years old; and, there are no such folk stories relating to its sparkling, glass windows, and the statue paused at the entrance to our tiny, church building. So, I remain rooted, spiritually, to the concrete and brick altar on the lawn of the house of worship where I spent my formative years learning about God.

Back in August of 2006, I went to Our Lady of the Assumption to rescue my brother and his fiancé because his car wouldn't start after mass. In a torrential downpour, I went to jump start his car in my giant, extended, Chevy Trailblazer. I glanced toward the yard with the outdoor altar in hopes of catching something marvelous out of the corner of my eye. There was merely the recently erected, yet still beautiful statue of Jesus on the spot where my faith was formed, decades earlier.

Once his car was started, I wanted to go inside the church to say a prayer and light a candle for our mother who was home, dying of cancer. Our family had been assembled there for a week or so, keeping vigil at her bedside as she was nearing the end. My brother asked where I was going and I told him. He said, "No, we need a priest." And so he marched toward the Rectory in search of the pastor to come offer our mother absolution. No sooner than when my brother asked, a young priest, Father Paul who hailed from Poland, said he would come with us to see our mother. There was no hesitation except he needed to enter the church to bring communion wafers for those in our family who would want to recive Holy Communion.

The scene at my parents house was solemn, dignified, and ultimately the saddest event in my life. I drove Father Paul back to the church afterward and he tried hard to cheer me up.

"I like your car." he said.
"Thanks." I didn't feel like talking, but I'm not one to be rude, especially to a priest.
"A lot of people get a new car and they want me to bless it." he said. I just looked at him and smiled in acknowledgement, thinking that it was a dumb idea to get one's car blessed as God should have better things to do than to make sure your brand new Corvette doesn't get dinged by a shopping cart at Stop-N-Shop.
"I tell them that I'll bless the car, but it only works if you don't break traffic laws."

He made me laugh, and he genuinely cared and wanted to make sure that I was okay. I asked him if he'd heard the story of the statue of Mary in the courtyard with the trees forming a halo around her head, or the crown of tree tops one saw from down the walkway looking up. He said no, and that he'd ask some of the "older" parishioners if they had heard of the story. He agreed it was a wonderful tale, but with the statue of Mary replaced, it would be difficult to relate to. I dropped off the good Father Paul, and sat in my car and watched him jog through the rain to the door of the rectory. Once he was inside, I decided to take a slow drive back to my parent's house.

I drove around the corner on the street behind the courtyard and looked through the pine trees at the likeness of Jesus from the rear. As a boy, whenever we were ready to leave after Sunday morning service, I’d wander through the arm-like branches, drooping as they were, long and un-cropped. The mystery of the space between the monument and the trees made the story of the halo even more intriguing, causing me to pause long enough for my Dad to call out my name one more time.

I sat in my car, gazing through my rain streaked window, and between the wavering pines at a somewhat different churchyard from those long ago days when God, Jesus, and Mary had me enthralled. This was no longer my town, or my church. The folks who prayed at that tiny, outdoor altar weren’t my friends or neighbors, and they didn’t live there when my parents moved in. There was a new statue, and a fence which kept me away as I searched in vain for a halo among the branches.

church Mary Jesus God Catholic altar statue legend priest trees Holy Communion prayer

"Tine Funing" Your Manuscript

Within the next week or so, I’m going to begin the anxious process of submitting my latest manuscript to agents, publishers, anyone who knows an agent or publisher, or anyone who ever sat next to one on a bus. This means my work has to be impeccable, with no mistakes, and without typographical errors and writer’s gaffes that tell the reader that I’m just not trying hard enough. I have a writer friend who also is ready to submit his work to agents and he jokingly tells me he’s in the process of “tine funing” his story. Oh boy.

He does that a lot, mispronouncing words, or mixing up sentences in a weak attempt to humorously demonstrate common writing errors. He’s a good friend, and as much as I want to laugh at loud whenever he says his giving his pages some “tinishing fouches,” or something like that, I cringe instead. I’ve read a lot of what he writes, and thankfully, he doesn’t inject those kinds of jokes into his submissions to agents. Not that I’m funny. My jokes are pretty dry and work a lot better in person and when my audience has a couple of drinks in them. But his sense of humor is just plain embarrassing.

Anyway, I’m ready to plunge, once again, into the milieu of query letters, plot summaries, and the “first five pages." Interesting note about sending the first five pages, I used to wonder how someone can make a judgment about an entire 75,000 word document by skimming the opening paragraphs. Then, it dawned on me: I do it too. Whenever I’m searching for something to read in the library or the bookstore, I’ll pick up a book, read the inside flap and then the back cover; and if it still interests me, I look at the first page. If I’m really dedicated, I’ll stick with it through the second page. Talk about agents being choosy, I’m just as guilty.

Honestly, an agent or a publisher asks for the first five to ten pages because they are professionals who are able to assess your skill as a writer by reading a few paragraphs. The idea is that if you make mistakes in the opening pages of your story, they are going to be present throughout the entire text. If you commit common spelling and grammatical errors right off the bat, then there’s an excellent chance they will be present throughout. Finally, if your story does not grab them immediately, then they won’t bother with it as they have so many more submissions to go through.

If you’ve read any of my previous posts, you know that I don’t purport to be an expert on my craft. In fact, I am a student who will forever be catching up on the basics and striving to advance my ability. Is this blog perfect? No way. But I give it time and effort as I do have folks who generously stop by and read my posts and offer kind and constructive comments. If there is anyone out there who wants to unfairly criticize the writing in this blog, remember one thing before you do so: This blog is a freebie. Anything I wish to sell gets my complete, professional attention. It takes me months to write the first draft of a novel, and years to re-write, edit and polish it. These blog posts I bang out in a few minutes. Go ahead and tear me apart and I'll accept what is fair; but, make sure you leave the link to your own blog for good measure. I get an awful lot of "anonymous" advice.

Still, I do want to make a good impression here. My “voice” on this blog is casual, and I write many of my posts with my tongue in my cheek. With that said, in much the same way I want to make sure that I don’t insult my blog visitors by not caring about sentence structure or grammar, I want to impress literary agents by showing them that I don't make amateurish mistakes, at least not in the first five to ten pages anyway.

manuscript agents publishers writer humor query letters document novel book

Writer's Plot Notes: "Someone Has to Die"

With my method of writing, I try to construct my story in a manner that efficiently moves the plot along without bogging the reader down in unnecessary details. Unfortunately, a few people get hurt or killed along the way. It's not like I'm a boy sadistically stomping on ants in the backyard; I am a writer who needs to knock off a few decent, and sometimes not-so decent folks every once in a while to tell a compelling story.

Of all the tales I've authored, I can't think of any which could be considered extremely violent. My first story has a victim who is viciously stabbed and raped and one homicide by way of gunfire. In the court of public opinion, I couldn't be accused of writing something sensational just to attract an audience. To support that claim, I didn't find any audience for that story. I was turned down so many times, I had to fit all of the rejection letters into two, giant manila envelopes, meaning I didn't create anything which stood out among all of the other stacks printed, 12 point type in the slush pile.

My second work of fiction deals with a character who winds up in Hell. But, Hell is supposed to be a bad place, isn't it? Three people were murdered in that story and I still don't think I meant it to be an overly-brutal narrative as it is a theme about redemption. My last novel has three people getting attacked, with only one of the gunshot victims succumbing to his wounds. Maybe my characters have lousy aim; but, I couldn't bear to kill the protagonist as he had to survive to be the hero. My point? Authors are Gods in their worlds, and we have the power of life and death over our characters. The question is, how to dispatch them?

There are those who can coldy kill off their characters in hideous, evil ways. Think of Saddam's torture rooms, shut your eyes, and cup your hands over your ears. This writer can't travel down that road toward hideous torture and greusome death. Maybe if I'm tailgated again on the way home from work by some idiot on the Long Island Expressway I might become inspired to...forget it. I'm not that type of writer.

Still, I was stunned when I took inventory of all the acts of agression in my stories. Yes, the protaganists in all three of my novels are police officers as I excercise the old "write what you know" concept. I figure it'd be easier for an ex-cop to get police stories published than to entice a literary agent with a medical thriller. There is an inherant amount of danger in police work, so it stands to reason that there is the potential for gunplay in a any scene where an officer strolls in a building as a drug dealer hides, panting and sweaty, behind a doorway waiting for him to approach.

Yet, the question remains, how do I kill off my future charcters? I'm sort of weak-willed when it comes to death. Bullets are clean, easy, and impersonal in a way. It was many years ago when I wrote a chapter where a poor woman was dragged into a wooded area, stabbed repeatedly, and savagely raped. When I go back and re-read that portion of the manuscript, I get a bit queasy. That's not because I am such a powerful writer, it's because I had to imagine all of the gory, terrorizing details and hurt someone I cared about. Yet, as sure as I sit here typing this blog post about inserting murder and death into one's writing, someone is going to get hurt in my next novel. I have an idea who it is, and I don't like him. Maybe you'll read about it one day. Whether or not this one gets published remains to be seen; but, either way....it's going to be murder.

write, writer, plot story novel manuscript literary agent slush pile violence shooting

An Old Short Story: Baby Boyfriend

Dear Readers,
I’m taking a huge risk here. Digging through my old notebooks, I found a story I wrote all the way back in 1987. The few people who read it thought it was okay. Now, all these years later I’m publishing it on my blog where I’d have more success getting others to read it if I spray painted it on the side of a building. Anyway, the story is called “Baby Boyfriend,” and it was inspired by a relationship I had with a girl I dated when I was a young, nerdy, college kid who was a sucker for any woman wearing a tube top. By the way, because one reader who commented asked me this, Richard, the protagaonist, is not an actual baby. I was referring to his demeanor. It’s both nostalgic and frightening to unearth articles and stories which I wrote in my youth. On the one hand, I rediscover something which I may, or may not be still proud of. On the other, I kind of hope I matured as a writer. I never used so many exclamation points before, or since writing this one. Hope you like it.


Baby Boyfriend


Well Doctor, do you want to hear my story? It’s kind of long and boring, but I don’t suppose you’ll mind being as that I’m paying you to listen and all.

Gina brushed her hair in long, even strokes as she spoke aloud. Those big, quizzical, brown eyes of hers wandered aimlessly around her messy, little bedroom. Finally, they settled upon me. I was sitting on the edge of her bed counting the number of times I could kick one of her slippers back and forth between my feet without breaking my rhythm.

“Don’t you think so, Richard?”
“Huh?” I answered, startled.

She was actually asking my opinion on something and I wasn’t paying attention.

“Well Gina, I don’t know, really.” I said. That was my standard response in those situations. She could get very annoyed at my daydreaming; and, that left me wide open for plenty of her whining and complaining about me not caring about her pathetic, miserable life. I decided it was best to look at her as she continued to ramble on about whatever the hell she was prattling on about.

This was typical of our relationship. She’d invite me over to her apartment with the suggestion that anything could happen; and me, the “Strike-out King” would arrive at her front door before she had a chance to hang up the phone for another libido-killing, monk-making evening centered on Gina’s monologues. No detail was too small or insignificant to be left out. Soon, I was on intimate terms with all of the players in Gina’s wild world of semi-evolved relatives, circus-geek girlfriends, and a long list of ex-boyfriends who are targets in the federal war on crime.

“I was talking to Billy before you came over.” She continued. “He’s leaving Little Billy with his ex-girlfriend’s fiancé to come over here because I owe him five dollars. I told him that I’m not giving it to him unless he gives me Little Billy back.”

“Oh really?” I chirped. I became more alert. Billy is her on again, off again common law husband, who also just happens to be her step-brother from her mother’s former marriage to his ex-foster father. No one is actually sure who Little Billy, their son, belongs to biologically. But, Gina’s mother, who is equipped with the only active brain cell in the entire brood, swears that it is impossible for Gina and Billy to go off to one of their week long, hippie, drug, love-ins and return as the proud parents of a three year old boy. But, since they honestly believe the kid is theirs, or, they wrongly think they brought him there in the first place, and since nobody is claiming the boy, they now have a son. You figure it out.

“He’s coming here?” I asked in horror.
“Sure.” she said. “And, I need you to stick up for me.”

My God, it was serious. I had every reason to fear this bruiser. The last time I saw Billy, he said the next time he saw me, he was going to turn me into one of those springy, horsey rides you see kids bouncing on in the park.

“He’s coming here?” I asked a bit more frantically.
“What? Don’t tell me you’re afraid of him?” she snapped.
“Afraid of Billy? No, no. I can get along with him, I guess.” I was stammering. “Hey, look at the time. I told my neighbor I’d help him plunge his toilet.”

“Listen…” she cried. “Don’t be such a wimp. You can take him. You’re both the same size.”

I said nothing as I sat there and hugged myself while rocking back and forth.

“Hey,” Gina said as she leaned over to me and lowered her voice. “Do you want a knife?”

“Knife?” I yelped. “No knife, no knife.”

Just then, there was a knock at the door. Actually, there was a lot of banging at the door. I sprang to my feet and Gina ran down the hallway to answer it.

My worst fears were realized. It was Billy. I could do nothing but stand in silent terror as the two of them screamed at each other at the tops of their lungs. Then, he smacked her, real good too. She hit him back and he just roared in loud, mocking laughter.

“Help me!” she cried, “Help me!” I was her cavalry; her own little General Custer.

Billy stopped laughing and shot me a cold stare.

“What are you going to do, wimp?” he said.

“Oh God, he sees me.” I said with a gulp.
“What did you say, punk? You some sort of tough guy, supposed to beat me up?”

“Get him!” Gina yelled. “Get him now!”

“Shut up!” Billy roared, and he smacked her again. Gina ran from the apartment with her bathrobe open and nothing on underneath. Billy started toads me, slowly at first. He kept flexing his muscles saying: “Come on punk, show me what you got.”

And then, he charged at me, full speed ahead. I had no other choice but to jump out the bedroom window from three stories up. Lucky for me a guy delivering balloons for a birthday party broke my fall.

So Doctor, here I am. By he way, Billy and I are on good terms now. He couldn't stop laughing at the way I hit the ground with the balloons popping and all. So, now we’re pals because this caveman thinks I’m hysterically funny and I’m only being kept alive to entertain this goon.

Also, Gina and Billy are back together. They’re suing the landlord for not having protective bars over the windows of the apartment. They’re cutting me for a third of the settlement s long as I agree to watch Little Billy while they go to another one of their week long, hippie, drug, love-ins.

Do you want to sign my cast?


short story ficton college writer readers baby boyfriend

She Saw Dead People

The story I am posting here is difficult to write because there it is very emotional, has many details to track, and because it is true. There is another forum where I posted this narrative about a year ago; but, I dispensed with many details as there was a space limitation. Let me begin by stating that I do not believe in ghosts, nor do I accept that people can speak to the dead. However, I believe that this particular tale is indeed true as it happened to my wife and daughter. Here is what I posted on the other forum:

My wife recalls a time when she was young and her father was still alive when he was kidding her about what she wanted to be when she grew up. She was about five years old and she sat at the kitchen table and talked to her father about making a lot of money when she grew up. Her dad told her that she had to pay taxes on what she earned. He said that just to tease her, and her reaction made him laugh. My wife remembers getting very upset that she had to pay taxes exclaiming to her rather amused father "but, it's my money." She can also still recall him smiling wide and winking at her.

Her father died six months before we were married and both of her brothers walked her down the aisle in place of their beloved, late father. About eight years ago, when our daughter was around four years old, my wife told a group of friends at her job that she would love to get a sign from her father that he was okay. Even though he had been dead for many years, she wanted to know if he was alright.

That evening, when she was home alone with our daughter (I was at work), my daughter was playing along side my wife in our den. My wife told me that suddenly, our daughter stopped what she was doing and looked over by the sliding doors which were closed and had the curtains drawn. Our daughter never knew her grandfather and only saw pictures of him around the house. She said "Look mommy, there's grandpa." My wife froze and asked "What?” Our daughter repeated "There's grandpa, he's talking to me." My wife looked around the room, saw nothing, and began to get nervous. Our daughter continued "Grandpa has something he wants me to tell you." she said. My wife remained quiet, and sat there with her eyes fixed on our little girl. Our daughter looked away, then back at my wife and said "He says, you don't have to pay taxes up here." Then our daughter sat down and went back to her dolls. My wife started to cry and left the room. That little scene, my wife believes, is a sign from her father. She's at peace now because she knows he's in a better place.

What I left out of that first version posted on the other website was the fact that it was my brother in law, my wife's older brother, who asked their father for a sign just a moment before he passed away. I was there with the whole family in the hospital for his final moments and witnessed him bend over and whisper into his father's ear. No one knew what he said, and we did not find out until the next morning at around six a.m. when he called his mother and his siblings in an excited state. My father in law died at around three thirty in the afternoon. My brother in law claims that he whispered to his father "When you get to the other side, when you are finally where you are going, give me a sign. Tell me you're okay." He claims that at around five a.m. the next morning, he awoke to the sound of music playing in a bedroom down the hall. He and his wife moved into their new home only months earlier and still were not finished unpacking as Dad's illness consumed their lives as well as the rest of us. In this particular bedroom, they placed all of the boxes they planned to "get to" when they had time. With the impending death of his dad, that time wasn't coming any time soon. He said that before he entered the bedroom, the door was shut, and he heard a music box. Across the room, on the window sill, was a small music box all wound up and cheerfully playing even though no one was in the room for weeks. The carton it was in was on the floor, and had been opened. Immediately, he ran from the room and woke up is wife, crying to her saying he received his sign and that is father was okay.

Another detail I omitted from the original post was that my wife sat with friends in the lunch room at her place of employment and told them the story about her brother asking for a sign at their father’s death bed years after it happened. Her co-workers were all moved by the story, especially her brother's satisfaction in hearing the music box chiming away in the unused bedroom of their new home. My wife laughed and said "If I had known that you could ask someone for a sign when they were dying, I'd have asked my father for one too. Leave it to my brother not to tell s he wanted to do that." It was later that night that our daughter claimed to see her grandfather.


One final element was left out. Our daughter did not see just her grandfather that night; she also saw her great-grandfather who died the year before. My daughter never knew her grandfather as he left us four years before she was born. She only saw pictures of him, and never saw any video with him in it because we don't have any. She did know her paternal grandfather whom she referred to as "G-G Pop." The "G G" stands for "Great Grandpa." She stopped playing and told my wife that she "saw G-G Pop, and someone is with him. It's Grandpa. He has something he wants to say to you." Then she paused and looked at my wife and told her "He says you don't have to pay taxes up here." Of course G-G Pop would talk to her first, she knew him. Grandpa couldn't appear on his own or he would scare her.

You can see why I truncated the version I posted last year on the other forum. This tale is not only a lengthy piece to type out as a document; it takes a several minutes to tell in polite company. There have been a few times I’ve been asked to entertain the crowd with this yarn at various functions and gatherings we’ve been invited to over the years and the results have ranged from awkward, to tedious, to awe-inspiring. Many times, due to the short attention spans of some of those asked to listen, I’ve been interrupted while drawing a breath by someone eager to tell their own “creepy story.” Other times, I’m cut short by rude “crashers” who see me deeply engrossed in my story-telling who come over and loudly ask “Hey, what’s going on here?”, or words to that effect. Then there are those folks who react with suspicion, or those who believe right away. My wife has no more success than I do recalling this memory as she has so much more emotion; and, it saddens her to summon up even the happier moment with her dad at the kitchen table when he teased her about paying taxes on all of her money. Still, this story should be told every once in a while, and it is also a good exercise for a writer, such as myself, who needs to practice keeping track of numerous details. I’m working on that part.


Who knows why our little girl claimed to see both her great-grandfather and her grandfather that day? She was happily playing with her toys in the den alongside her mother when she stopped suddenly. It could be argued that she heard something about taxes on TV and decided to make a joke about it as only a three and a half year old child could. Nevertheless it is a bizarre set of coincidences that pieces together this story to make it seem like our daughter, as a toddler, was able to see and speak to her dead grandfather and great-grandfather and relay to her mother a message which only she understood. It can be a mere coincidence that this happened on the same day my wife told her friends the story about the sign her brother got from her father and that she was upset that she did not think to ask for one. But, what an extraordinary fluke that is? Yet, we all get gut feelings. These are emotions which we can’t articulate, but believe to be true. I don’t believe in ghosts, spirits, or that we are capable of talking to he deceased. However, my gut tells me that this in fact occurred. My daughter, now twelve years old, does not remember any of it.

ghosts spirits dead people story telling tale ghost story death bed sign from beyond taxes heaven grandfather great grandfather

Don't Be Afraid To Write About...You Know

As a writer who is woefully terrible with quotes, I am going to paraphrase this one and give credit to the first author who lays claim to it: "A person does not really become a writer until their parents die." It's a funny line, and I'm willing to bet that there are a few of you out there who get it right away. What that quote means to me is that writers often edit themselves and don't write anything too controversial as not to embarrass themselves, or their readers. Only when that writer's mother and father are gone, can that person feel relaxed enough to author content which may make Aunt Bessie red-faced if she saw it. My biggest hang-up has always been the sex scene. In my case, as a side note, I still have to pretend that my wife is never going to read anything which can be considered “adult” for fear that she may think that I’m really writing about my own fantasies. I can see the scene playing out between the two of us if she ever read the stuff I edit out of a story.

Angry wife: “So you want to bang the baby sitter? You pervert!”
Me: (sweaty brow, hands shielding my face): “No honey, not me…the guy I’m writing about wants to. I think our baby sitter is ugly.” (Gulp)

Okay, I’m exaggerating. She supports what I do, and understands the process, I hope. But, I digress.

We all “do it”, ya know. Even our (gasp!) parents “did it” or else you wouldn’t be here, duh. So, naturally our characters are going to feel a bit romantic for each other and want to act on it every once in a while. My goals when typing out a “roll in the hay” scene between two characters is to have them learn something about each other, or to illustrate a plot point. Mostly, I want them to be complete human beings who react as the rest of us three dimensional individuals do when we’re around other people. I wouldn't want to turn one of my stories into an orgy fest; but, I think that at least one person in each of my stories would like to see another one naked.

How you actually describe the scene is up to you. Your technique can be to chronicle the entire event from the awkward first kiss, all the way around third base and across home plate. You can be vulgar, or clinical in your description of body parts, or follow the amorous couple as he carries her upstairs to the bedroom and slams the door in your face, leaving you, the reader to guess what's going on inside. All of this is relative to your skillfulness as a writer, and how much of a risk you wish to take. Even the voice used to tell the story has influence on what verbiage is used or how graphic it becomes. A wedding night between newlyweds may be narrated differently than the new inmate's first visit to the prison shower where there's a welcome party awaiting him. But the point of this article is not to lay out how to write a sex scene; it is basically to encourage you to write about what is perfectly acceptable. Also, you don’t have to kill your parents in order to work up the nerve to write that scene between the young woman behind the counter at the local deli who always wears a tube top, and the beer delivery guy.

Your audience has to remember that you're writing about human beings, and a complete human character needs water, food, shelter, clothing, etc. They even want to get frisky with each other. Those are all elements of good drama. You should feel free to sketch your characters to a point where your readers will be able to handle it if a twenty-year old Au Pair strikes a pose on the living room couch in her nightgown while watching Conan O’Brien, and then Dad wanders downstairs for a late night snack. Au Pairs can help a lot around the house and we can afford one, right honey?

writer author quotes sex scene story characters plot point orgy naked first kiss drama