"Six Word Memoir" Meme

I’ve been tagged with the dreaded “Six Word Meme” by a Rotus, the author of two really terrific blogs: “Rotus” and “I’ll Never Forget the Day I Read a Book!” How it works is the person tagged writes a six word memoir about themselves and post it to you blog. Then, link to the person who tagged you, and tag five more people. However, in keeping with my own theme of intrigue, I’ll hold off on tagging others as is my traditional method of responding to memes so I can use the tag on an occasion where I see the meme fitting. Those who have been tagged by me in the past know what I am talking about. Here’s my six word memoir:

“I have become a marvelous writer.” (This statement is strictly tongue-in-cheek!)

Pretty bold, huh?

Writing Home: Using One's Home Town for Setting

Creating fiction requires many essentials. One needs characters, a plot, setting, time period, and other factors which narrow the concept down to a point where the author may begin to write. Setting is key; and, as it often is with literature, characters are based on the writer’s persona, and very often, the characters live in where the writer does. How many authors can you name whose works place their protagonist in the very town where they grew up or where they currently live? I’ll give you one: Nelson DeMille has written books set on Long Island where he currently resides, and in New York City where he was born. This is a practice which I have only recently embraced.

My first novel, “The Tin Age,” is set in suburbia, and the main character, Martin Spratt, is a county police officer. I imagined the county based on the one where I reside and added many of the qualities which made this setting attractive to me: Hamlets full of quiet, tree lined streets, wooded areas on the outskirts of towns, and a government structure which allows for a full service, county-wide police department were the factors I needed to make the story work. In retrospect, instead of concocting a name, I should have simply utilized the actual region where I live as it would have been familiar to any potential local audience.

That is an attractive aspect to applying this technique as the residents of the municipality depicted in your story would be more likely to read your work and create buzz for you and your novel. This is a factor not lost on literary agents and publishers; in addition, this type of ingredient in a story works when employed the moment the task of writing the manuscript is begun. In my case with my fictional county, it would take a little effort to change village and street names to match existing locations; but, none of these roads and communities is described accurately in this story and a major re-write would then be in order to achieve authenticity. It is best to plot your location as well as your storyline at the outset as the two are intertwined.

With fiction, writing about genuine locations is useful if one wishes to add color, depth, and breadth to the story. Each locale has a unique and rich history. Customs are inbuilt, and reasonable expectations can be placed on climate, local customs, geography, and the speech of its inhabitants. Using one’s own native state, town, or actual place of birth allows a writer to draw upon their own individual experiences and include them in the narrative, albeit an imagined one.

For example, a writer may draft a scene where two brothers are walking to school. In an imaginary town, more elements may have to be explained to the audience by the author because the reader may not have a clue as the where these school boys are. The reader sees a blank, nondescript boulevard the boys are traveling on, and illustrative gaps need to be filled in by an author with different ideas than his or her audience. Experiences of the reading audience dictate how they perceive your imagined community. The more closely the reader connects with your characters' surroundings, then the more the reader gets from reading your book. If you write about a genuine place, then existing structures and sites can enrich your writing.

You can save yourself some time and set the story in San Francisco, for example, and mostly everyone knows that the roads there are all hilly, and the reader envisions streetcars as well. Write about real cities and towns and you draw the reader in. Use the environs of a region where you reside, and you’re an authority. The knowledge you have of the locale and the facts you provide enhance what you put down on paper.

With my latest novel, “The Daddy Rock,” I used my native Long Island as the backdrop. This allowed me to celebrate the beauty and diversity of the landscape as my protagonist, Roger Price, migrated from the low lying, seaside marinas along south shore to the rocky and elevated north shore. My childhood was spent growing up in a small hamlet by the Great South Bay. My south shore sensibilities are apparent in Roger as he is transplanted to the more affluent north shore hugging the Long Island Sound where I’ve settled and decided to raise my family. Familiarity with my place of birth allows me to effectively guide my characters and blend them seamlessly into a world with a readily available supply of buildings, landmarks, customs, and people where they can interact and play out the drama. Also, it is always easier to write about a place you are passionate about. Frequent readers of this blog are aware of my deep affection for my home, Long Island. That made writing my latest novel more natural.

In summary, when writing fiction, a valuable shortcut to creating a story’s setting may be to place your characters in the very town where you live in order to draw upon your own knowledge of the area, take advantage of a local audience, and to rely on local history, customs, geography, and landmarks to help you tell your tale. On a side note, I am writing a novel about a young man who joins the Russian Army and I may have to relocate to Moscow for a few years. Do they have the internet in Russia?





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Writing Against Type: Challenge Your Writing Style

Actors often fear being typecast in certain roles. For example, no one will ever watch a movie featuring James Gandolfini again and not picture him as Tony Soprano. This can help or hurt him, and more times than not, actors dread the results of being typecast, which means they cannot “grow” as an actor.

Consider the same consequences for your writing. A comment made to me recently concerned a very talented writer and his notion that he had been “hiding behind his blog” and ignoring his larger projects, meaning his novels. Speaking for myself, I am guilty of this behavior as well. My recent attempts to revitalize my writing have worked, and I am taking steps not to “typecast” myself into a role of sharing nothing but personal anecdotes about my life on my blog. This should be the challenge which you as a writer put to yourself: to produce a poem, short story, biography, or even a play which you never attempted before.

The end result of that written venture does not have to be the remarkable; it should be an instrument to discover new talents hidden within. How you ever had a workout and exercised “muscles you never knew you had before?” The concept here is to give your literary voice a day at the gym.

For example, if you’re the type of writer who consistently produces high quality, yet gloomy works of fiction, try writing a happy story. You may hate yourself as you do this, but the challenge is that you’re demonstrating an ability within yourself to construct worlds, characters, and lives out of whole cloth in a manner which you are not accustomed to. Writing against type makes a writer think, and often our routines and habits leave us bored and in a rut. A new style, and different genre attempted, can give one the jolt needed to craft something out of the ordinary when previous projects have yielded less than desirable results.

With that said, I’ve found that I read many blogs with beautiful and many times stark poetry offered by gifted artists. In my experience, I’ve authored some rhymes which I feel are immature and not up to the standards which these other lyricists uphold. Many of my poems were written over a decade ago. For the sake of this article, I’ll present one here to demonstrate my lyrical deficiencies.

Short of Buying Forever
May 14, 1985

The horizon struggles
To embrace the embers
Of discarded daydreams

And then…
A tip-toeing of trees

The hushing of branches
And dew drop serenity
Replenish leaky souls with hope

Settled in the twilight
Immorality hawks its wares
To a pauper with big, empty pockets

Maybe my ability has improved over the years even though I concentrate primarily on writing fiction. Recently, I've challenged myself to attempt poetry again, and I am able to illustrate that I can make keen observations about my own style by crafting symbolic verses. This is a rough draft of a poem I wrote about a week ago. The basic premise of this one is that I’ve witnessed too many people pass away; and at some point, the dying seem to accept their fate. In one or two cases, they appeared happy. Remember that this is a first draft, and I have unearthed emotions and a style which I may utilize again.

Syndrome
March, 2008

Eyes touched by imaginings
Silent people
The corners, from there
They beckon
Unfiltered by dust, accompanying angst
Ailing, infringed upon, a right mind

Captured by malignancy,
Invaded from within
One word, with such dread
Presented potions to purify
To wait, and to become
Terminal

Diffused urge, sidelined fantasy
Embarking on Saturn for
Want of the Moon

Tomorrow’s rays,
Beyond the cradle
Unearth aged man
Squandering
Inherited wisdom
For absent youthful humor
And then, approval

Bring here demise
Raised hands, encourage
Focus, exclaim
Repel denial
Return in grief,
Un-denying
In reverie

This is not poetry as I would want to enjoy it; but the idea is clear. Trust your writer’s instincts and research another form. Write a fantasy novel, a play, a short story. Take yourself around the block a few times, and you may meet some neighbors with interesting lives. Bring your laptop to a different vantage point and you might create a work of art. Challenge yourself, and you cannot fail. Stay safe, and you’ll lose your edge. Write, and write well, and you can live forever. Well, your words will anyway.





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A “Now” Fangled Story

When starting a work of fiction, a writer must understand that when it is completed, it is going to be a different piece of work than when initially begun. Writers mature a bit more as story tellers and practitioners of their craft with each project undertaken. When editing a first draft of a manuscript, authors may notice changes in the voice, tone, and timbre of their tale as it progresses. The characters may even speak differently. A large part of the editing and rewriting process involves searching for errors and improving the sentence structure, etc. However, authors sometimes make the mistake of not looking for anachronisms.

My first novel took me five years to write and about two years to edit. Since I wrote this tale about a man traveling into his past, I didn't have to worry much about items being out of date. It took four months to write the first draft of my latest work. Yet, I have been re-writing and editing it for the past two years. Society and technology haven't been altered dramatically in that brief time span; but, there are subtle changes which may leave the reader wondering.

This story takes place in contemporary times. Small details such as talking on a cell phone in a hospital need to be addressed. When I first wrote a chapter with my protagonist having life saving surgery, my mother was hospitalized, and using a cell phone in a hospital was forbidden. Now, I am almost done with my editing, and I've noticed that it does not matter if you chat on your cell phone in a hospital anymore. Without any reference to the year in which the action is taking place, technical gaffes like that can cause the reader to doubt the story's accuracy. My style of writing is such that I do not want the reader to know that they are in fact "reading." With that said, I do not wish to risk losing even one member of my audience to carelessness.

A few years back, I started reading a novel by a well known author who shall remain nameless in this article. The reason for not mentioning this writer’s name is because I loathe to speak ill of an author’s work if he or she has been published by traditional media and I have not. Still, from a reader’s view, the point I have is valid. The novel in question is about an attorney who gets the bulk of his cases from a much larger law firm which sends clients with dicey or unseemly problems to him. The lawyer-protagonist winds up investigating a string of homicides. My problem was not with the plot, but with the police tactics.

As a former police officer, I retreat quickly when it comes to watching police dramas on television and in the movies. Nor do I run to the bookstore when the latest police procedural is published. Often times, I find such huge inaccuracies in the methods employed by the fictional police officers that I can’t watch or even read about them. I’ve seen movies where the officer gets into several shootouts a day and they never have to fill out a single report much less testify at a grand jury. The Constitution is non-existent as they burst through doors without warrants, arrest people on the flimsiest suspicion, use excessive force, and the list goes on. That is why I found it odious when I read the book based on my father's recommendation.

What concerned me was that whenever the main character had interaction with the members of the New York City Police Department, the cops always had to use a pay phone to call “headquarters.” One scene depicts a shootout with one of the officers fumbling for change in his pocket to call for backup. This book was written in the middle 1980’s. For the record, I was an NYPD officer during that era and we employed curious devices called “radios.” In addition, street cops do not call “headquarters,” which is actually known as “One Police Plaza” to rank and file “members of the service.” If anyone does call “1PP,” it would be someone far up the chain of command, and only after several other events happened, and only after a string of procedures was implemented.

Those are major holes in the story which as a reader I could not handle. The unfortunate result was that I had to put the book down. It wasn't the quality of the writing which turned me off, but a credibility gap created by the imprecision of plot details which canceled any suspension of disbelief for me. Was I being too technical? Could have I dismissed that the fact there were no portable radios were issued to uniformed patrol units? I don’t think so. Those are important components. While only police officers are likely to have noticed the error, authors should be unwilling to part with anyone in their audience for the lack of research or insufficient editing.

With regard to my story, I do not believe I would have caused anyone consternation if my characters had to go outside the hospital to call someone on a cell phone; still, I repaired that point. But, I am still wary as it is now three years sine I wrote this story and more anachronisms may pop up when, and if, I ever do have it published. My older works of fiction may not need any such tweaking as if by some miracle they ever see the inside of a publishing house, it would be obvious the story’s setting was decades earlier.

My lesson is to remember that the novel I set out to write today is going to be very different when I finish it tomorrow. Reading for mistakes is obvious; but making sure your story details are still relevant to the time period is not as apparent. Now I’m off to finish my current project which is taking me ages to complete. It’s a contemporary novel about a young man who needs money to buy a new boom box so he can listen to his audio cassette tapes and practice the singing and become a rock and roll star. Oh wait; they have iPods now, don’t they?





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A Re-Statement of Purpose

What I wish to do here is find that voice in my head which told me stories when I was bored. I need to share, and to find acceptance, and gain stature with my words. That is the goal for numerous with blogs out there. Many are much more inventive than I can ever hope to be. Today, I wonder where I have landed. I feel as though I’ve reached a milestone; but the paradox for me is exactly where on the map does this place me as I did not know where I would go when I created this blog?

I can suppose that I may have touched a few folks with my writing. My responses from readers have been overwhelmingly positive. This makes me wonder when my dreadful post is coming. There is no way I am that good, I ponder. This notion gnaws at me, controls my lively fingers as they tap away at my keyboard while I fashion another essay or story for posting in this space. I’ll simply do what I am able to, the best I can muster, and hope that I am hearing the correct outcome; that I never determine that I have reached any sort of summit. My objective is and always was to publish my novels, and perhaps I’ve drifted off the trail which can lead me in that direction. The blogging world proffers a brilliant audience, benevolent, and kind, in their feedback. May I never betray you and always be gracious for your attention.

What I need to do is refocus my energy on my larger writing projects. I’ve strayed from this intention and have been relying too heavily on telling personal anecdotes and mining the depths of my sorrow over the deaths of friends and loved ones. I need explore my writing methods and only occasionally invite my readers into my private thoughts with a tale from my past. These stories and other odd posts serve as practice for me, and I need to remember that. I’ve put the cart before horse and it is necessary to back up and reassess my stated purpose; yet, always, yes always, bear in mind that my readers are important to my improvement, and that they deserve the best I have to offer. This is a delicate balance, but one which I need to challenge myself to achieve. My project is clearer now: remain loyal to my idea, explore my craft’s boundaries, be diligent in its practice, and realize that I can always do better. I owe this to myself, and to my wonderful, discerning, and charitable readers. Thank you.





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